Runo Lagomarsino. Born Sep 6, 1977. Discover this artist. 16 items. Artists Runo Lagomarsino. More mediums. Metal. 135,138 items · Tin. 4,552 items
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Through precise and poetic displacements he constructs frictions between language, iconography and prevailing narratives. Runo Lagomarsino has developed Runo Lagomarsino. An Offensive Object in the Least Offensive Way was a new commission for the 2012 Biennial, composed by three pieces. The starting point Oct 5, 2018 The Dallas Museum of Art presents Concentrations 61: Runo Lagomarsino, EntreMundos, the first US solo museum exhibition for the May 20, 2019 Pictures at an Exhibition presents images of one notable show every weekday.
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Runo Lagomarsino »I am also smoke« Stockholm , October 01, 2020 - November 07, 2020 One of the most difficult verbs is to relinquish. I had to look it up. It means ceasing to keep or claim, giving something or somebody up, renouncing. In our RUNO LAGOMARSINO at FRANCESCA MININI in Milano 'We are each other's air' Opening May 16, 2019 Until Aug 2, 2019 Runo Lagomarsino . The virus alone does not discriminate, but we humans surely do, formed and animated as we are by the interlocking powers of nationalism, racism, xenophobia, and capitalism. Runo Lagomarsino (b.1977, Sweden) develops works that presents a critical vision on the construction of history-based themes or analyses connections between modernism and current geopolitics. Lagomarsino’s work present a well-defined political position, posses an unfinished and fragmented aspect, and act as provocative and open reflections on relations of territory and exclusion.
Konstnären Runo Lagomarsino har utfört verket som heter ”Europa”.
Runo Lagomarsino works in a number of different media, including video, drawing, sculpture, and photography. Through his unique poetic and aesthetic language, Lagomarsino seeks to present alternative perspectives on history and political or cultural …
Nov 11, 2019 With precise and poetic displacements, Runo Lagomarsino creates frictions in his works between language, materiality and history writing. dislocation and (de)constructing national identity: these are some of the core topics shared by the artistic practices of Carla Zaccagnini and Runo Lagomarsino Runo Lagomarsino.
Runo Lagomarsino AB – Org.nummer: 559301-8947. På Bolagsfakta.se hittar du kontakt-och företagsinformation, nyckeltal, lön till VD & styrelse m.m..
På Eniro kan du hitta Runos telefonnummer, adress, samt intressanta fakta om bostad Adress. Runo Lagomarsino AB c/o RUNO LAGOMARSINO FERSENS VÄG 16 211 42 Malmö.
The works deal with a broad aspect of issues pertaining to politics, religion, language, belonging and cityscape.Runo Lagomarsino's work A Country's Landscape can be seen at Drottninggatan 18, Malmö, Sweden
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RUNO LAGOMARSINO at FRANCESCA MININI in Milano 'We are each other's air' Opening May 16, 2019 Until Aug 2, 2019
Runo Lagomarsino har anordnat ett slags dödsmässa på Galerie Nordenhake.
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Det är 95,9 % av aktiebolagen i Malmö kommun som har högre vinst per anställd än Runo Lagomarsino AB, motsvarande siffra för Sverige är 87,2 %. Läs mer. 21.09.2016. Runo Lagomarsino participates in the exhibition The Artist at Moderna Museet Malmö, Sweden opening on September 24th. The Artist – recently Runo Lagomarsino är född 1977 och bor och arbetar i Malmö.
In his multimedia artworks, Runo Lagomarsino’s interest in the legacy of transat…
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Runo Lagomarsino In 2019 Lagomarsino was awarded The Friends of Moderna Museet Sculpture Prize, with a parallel solo exhibition at Moderna Museet, Stockholm. He participated in the 56th Venice Biennale in 2015 as well as exhibitions in The Göteborg International Biennale for Contemporary Art, Museum of Contemporary Art Detroit and the Reina Sofia, Madrid in the same year.
Det är en sammanhållen installation, poetiskt konceptuell och vilar tungt på materialen som betydelsebärande. Här ligger bland annat insekter som angriper museisamlingar på lit de parade i vita tändsticksaskar, rökslingor har fångats in i glasbollar, ett par demolerade nycklar hänger patetiskt på en Lagomarsino, Runo – Org.nummer: 770906-XXXX.
Lundakonstnären Runo Lagomarsino är uttagen till Venedigbiennalen om drygt en månad. Men redan nu kan man se honom på Malmö
No one would have believed is an exhibition that brings art, popular culture and politics together. It focusses on the work by two contemporary artists, Runo Lagomarsino and Wendy Morris, that rethinks the legacy of colonialism and science fiction, departing from the work of Brazilian born artist Henrique Concentrations 61: Runo Lagomarsino, EntreMundos is organized by the Dallas Museum of Art and is curated by Dr. Anna Katherine Brodbeck, the Nancy and Tim Hanley Associate Curator of Contemporary Art. The exhibition is accompanied by a full-color illustrated brochure with an interview between the artist and exhibition curator. Runo Lagomarsino Born in Lund, Sweden, in 1977. He lives and works in Malmo, Sweden, and Sao Paulo, Brazil.. Working in video, drawing, sculpture, and photography, Runo Lagomarsino explores how today’s political and social environments have developed through different discourses and historical processes, producing representations and metaphors from which history has been constructed and Runo Lagomarsino AB – Org.nummer: 559301-8947. På Bolagsfakta.se hittar du kontakt-och företagsinformation, nyckeltal, lön till VD & styrelse m.m.
Språk, geografi, historiografi och makt är återkommande ämnen i Lagomarsinos konstnärskap. Han Det institutionella relaterar till det privata. Påfallande ofta tycks Lagomarsino påminna om hur det institutionella Skulpturpriset är ett av Sveriges största Biografi. Runo Lagomarsino växte upp i Lund i en familj som emigrerat från Argentina, och utbildade sig på Konsthögskolan Valand i Göteborg 1999-2001, Konsthögskolan i Malmö 2001-03 och Whitney Independent Study Program i New York i USA 2007-08. Med sina installationer, skulpturer, bilder och filmer vill Runo Lagomarsino framställa andra sätt se på historiska, politiska och kulturella maktförhållanden. Utgångspunkten för hans konstverk är ofta den latinamerikanska samtidens koloniala arv: de spår av våld och dominans man kan finna i en kartas gränsdragningar, i en tapets ikonografi eller i dokumentationen av en Runo Lagomarsino once said, ”Art has the power to influence our seeing and ourselves. It can narrate, astonish and alter.” In his works, he often starts with familiar, not to say traditional, forms, which he then attacks, shifts, transcends, scrutinises and confronts.